Artistes similaires à

OneSelf Featuring Mario Deschenes

 

OneSelf featuring Mario Deschenes représente un effort musical principalement mené par la vision créative de Mario Deschenes. Ce rapport vise à identifier les artistes qui présentent des styles musicaux similaires, en s’appuyant sur une série de documents de recherche pour disséquer leur son. Les genres décrits associés à ce projet sont divers : rock, pop-rock, psych-pop, blues-rock et rock ‘n’ roll. En outre, Mario Deschenes a explicitement cité les Beatles et les Rolling Stones comme des influences significatives sur sa musique. Cette analyse explorera ces influences et ces genres afin de fournir une liste complète d’artistes partageant des points communs stylistiques, tout en tenant compte de l’origine canadienne de Mario Deschenes.

 

Les multiples facettes des genres décrits suggèrent que la musique de OneSelf featuring Mario Deschenes est probablement un mélange de divers sous-genres rock et pop. Un artiste décrit comme tel incorpore probablement des éléments de chacun de ces styles, ce qui indique qu’il pourrait être difficile de trouver un seul artiste qui corresponde parfaitement à toutes ces étiquettes. Il convient plutôt de se concentrer sur les artistes qui résonnent avec des combinaisons spécifiques de ces genres. Par exemple, un artiste peut créer principalement du pop-rock avec des éléments psych-pop notables, ou son son peut être enraciné dans le blues-rock avec une énergie rock ‘n’ roll distincte.

 

L’admiration de Mario Deschenes pour les Beatles témoigne d’une approche musicale qui valorise vraisemblablement la musique bien faite pourrait impliquer que la musique de Mario Deschenes se caractérise également par une présence vocale forte et engageante. Enfin, l’accent mis sur le rythme et le groove est au cœur du style des Rolling Stones, ce qui indique que la musique de OneSelf featuring Mario Deschenes pourrait également reposer sur une base rythmique solide. Ce mélange d’influences suggère un style musical qui navigue entre la sophistication mélodique de la pop et le cran bluesy du rock.

 

Les genres spécifiques attribués à OneSelf featuring Mario Deschenes éclairent davantage leur identité musicale. Le rock et le pop-rock servent de base générale, indiquant une dépendance à l’égard de l’instrumentation rock traditionnelle, probablement centrée sur les guitares, et des structures de chansons conventionnelles qui prévalent dans la musique populaire. L’autodescription en tant que « groupe de rock mélodique » affine encore ce constat, suggérant une volonté de créer une musique rock avec des mélodies fortes et mémorables. L’inclusion de la pop psychédélique indique une expérimentation sonore potentielle, l’utilisation d’effets et peut-être des thèmes lyriques qui explorent des territoires plus introspectifs ou surréalistes, rappelant les explorations du milieu et de la fin de la carrière des Beatles. Le blues rock indique l’incorporation de gammes, de structures et d’instruments de blues, tels que des solos de guitare inspirés du blues, dans un cadre rock, ce qui correspond directement à l’influence des Rolling Stones.

 

Enfin, le rock ‘n’ roll fait probablement référence à un style de musique rock plus classique, plus enjoué et plus énergique, s’inspirant potentiellement des influences fondamentales des Beatles

 

Compte tenu de l’influence considérable des Beatles, plusieurs artistes de l’époque de la British Invasion et au-delà peuvent offrir des expériences musicales similaires. Les Kinks, connus pour leur écriture acérée et leur humour britannique, ont souvent créé des chansons pop accrocheuses avec une touche de rock, faisant écho à certaines sensibilités mélodiques des Beatles. Les Who, bien que penchant souvent vers un son plus puissant et parfois agressif, ont également fait preuve d’un talent pour l’écriture de chansons mélodiques et se sont aventurés en territoire expérimental avec des albums conceptuels comme « Tommy » et « Quadrophenia ». Les Hollies étaient réputés pour leurs harmonies vocales distinctives et ont constamment proposé des chansons pop bien conçues et accrocheuses tout au long des années 1960. Les Zombies, avec leurs arrangements pop sophistiqués, leurs harmonies complexes et, plus tard, leurs touches psychédéliques, notamment dans leur album phare « Odessey and Oracle », ressemblent également aux aspects les plus nuancés du son des Beatles. Ces groupes, qui ont émergé dans le sillage du succès des Beatles, ont souvent reflété leur évolution d’une musique pop directe vers une musique plus expérimentale et thématiquement plus riche, incorporant parfois aussi les influences du blues qui prévalaient sur la scène musicale britannique de l’époque.

 

Le genre power pop, qui est apparu plus tard, visait souvent explicitement à capturer l’éclat mélodique des premières œuvres des Beatles, souvent avec une approche plus énergique et plus axée sur les guitares. Badfinger, le premier groupe en dehors des Beatles à avoir été signé par Apple Records, a créé des chansons rock mélodiques avec de fortes accroches et un sentiment parfois mélancolique. Big Star, souvent considéré comme les « Beatles américains », a créé des chansons pop méticuleusement arrangées, avec un mélange de mélodies accrocheuses et de profondeur émotionnelle sous-jacente. Cheap Trick mélangeait les sensibilités mélodiques des Beatles avec un rock plus brut et énergique, créant ainsi un son power pop distinctif. Les Smithereens étaient connus pour leur rock à base de guitares, avec des mélodies accrocheuses et des harmonies rappelant celles des Beatles. L’accent mis sur les mélodies fortes et les performances énergiques de la power pop correspond bien aux aspects « rock mélodique » et « rock “n” roll » de OneSelf featuring Mario Deschenes.

 

Les artistes qui ont exploré la pop psychédélique se sont également appuyés sur les derniers paysages sonores plus expérimentaux des Beatles, en les mélangeant souvent à d’autres genres. Electric Light Orchestra (ELO) a été explicitement formé dans l’intention de poursuivre la direction musicale que les Beatles auraient pu prendre, en incorporant des arrangements orchestraux dans leur son pop-rock. Les Byrds étaient des pionniers du folk-rock et du rock psychédélique, réputés pour leurs guitares virevoltantes et leur écriture mélodique, souvent comparés aux débuts et au milieu de la carrière des Beatles. Les Flaming Lips sont réputés pour leur pop psychédélique fantaisiste et hautement expérimentale, caractérisée par des textures sonores et des arrangements uniques. Les premiers Pink Floyd, sous la direction de Syd Barrett, ont créé des paysages sonores surréalistes et expérimentaux qui ont eu une grande influence sur le développement de la musique psychédélique. Ces artistes, en repoussant les frontières sonores et en incorporant des éléments non conventionnels dans leurs structures pop, entrent en résonance avec le descripteur « psych pop » associé à OneSelf featuring Mario Deschenes.

 

Reflétant l’influence des Rolling Stones, plusieurs groupes de la British Invasion et au-delà ont mis l’accent sur un rock and roll imprégné de blues, avec une interprétation brute et énergique. Les Animals, avec leur son graveleux et leurs riffs d’orgue bluesy, ont capturé une énergie brute qui était également au cœur de l’attrait des Rolling Stones à leurs débuts. Les Yardbirds, qui ont servi de pépinière aux légendes de la guitare, s’appuyaient sur des bases solides en matière de blues rock, caractérisées par les éléments suivants

 

Les artistes qui ont suivi les Rolling Stones ont souvent amplifié les éléments blues-rock, créant un son plus lourd et plus axé sur les guitares, tout en conservant parfois des sensibilités mélodiques. Led Zeppelin, bien que souvent classé dans la catégorie hard rock, avait des racines profondes dans le blues, évidentes dans leurs premiers albums, et incorporait également des éléments mélodiques dans leur son puissant. Aerosmith, souvent cité comme ayant été fortement influencé par les Rolling Stones, a développé un son hard rock bluesy en mettant l’accent sur les riffs de guitare et une présence charismatique sur scène. Humble Pie, avec la voix puissante de Steve Marriott, a produit un rock brut et bluesy, avec un accent particulier sur le travail de la guitare. Ces groupes ont repris les bases du blues-rock posées par les Rolling Stones et les ont souvent poussées à des niveaux plus forts et plus intenses, tout en conservant un lien avec la mélodie et l’énergie du rock ‘n’ roll.

 

L’énergie en direct et le style de performance des Rolling Stones ont également eu une grande influence. Les Who, outre leur côté mélodique et expérimental, étaient également réputés pour leurs concerts incroyablement énergiques et souvent chaotiques, grâce aux acrobaties de Pete Townshend à la guitare et à l’explosivité de Keith Moon à la batterie. Creedence Clearwater Revival, bien qu’enraciné dans un blues-rock marécageux, a également livré sa musique avec une intensité brute et énergique qui a trouvé un écho auprès du public. Les artistes qui privilégient les concerts énergiques et qui ont un son bluesy rock partagent cette caractéristique importante avec les Rolling Stones et les groupes de musique de l’Union européenne.

 

Étant donné que Mario Deschenes est un artiste canadien, il est important de prendre en considération les principaux groupes de rock canadiens qui ont émergé dans les années 1970 et au-delà, car ils représentent le paysage musical dans lequel il a probablement grandi et ont également été influencés par des groupes internationaux tels que les Beatles et les Rolling Stones. The Guess Who, l’un des premiers groupes de rock canadiens à connaître un succès international, mélangeait le rock et la pop avec parfois des nuances de blues, créant ainsi un son à la fois accessible et typiquement canadien. April Wine était connu pour son hard rock mélodique, proposant des chansons accrocheuses avec une touche de rock qui résonnait à la fois au Canada et à l’étranger à l’échelle internationale. Rush, tout en évoluant vers un rock plus progressif, a eu des premiers albums avec un son rock plus direct qui montrait des influences de groupes britanniques de l’époque. Le groupe Bachman-Turner Overdrive (BTO) a produit des hymnes rock à la fois puissants et bluesy, qui ont connu une grande popularité dans les années 1970. Ces groupes représentent une part importante de l’histoire du rock canadien et ont probablement influencé les générations suivantes de musiciens, dont Mario Deschenes.

 

D’autres artistes canadiens connus pour leur mélange d’éléments mélodiques et d’énergie rock peuvent également être pris en compte. Loverboy a connu un succès massif dans les années 1980 grâce à ses hymnes rock accrocheurs et mélodiques, souvent caractérisés par des accroches fortes et des riffs de guitare mémorables. Honeymoon Suite était un autre grand groupe canadien connu pour son rock mélodique, incorporant parfois un côté plus dur et des éléments de synthé-pop. Red Rider, dirigé par Tom Cochrane, a composé des chansons pop-rock bien écrites, souvent dotées de paroles profondes et réfléchies, qui ont trouvé un écho auprès d’un large public.

 

The Tea Party a mélangé le rock avec des influences blues et même psychédéliques, créant un son unique et souvent atmosphérique. Le qualificatif de « rock mélodique » attribué à OneSelf et à Mario Deschenes rend ces groupes canadiens, connus pour l’importance qu’ils accordent à la mélodie dans un contexte rock, particulièrement pertinents.

 

Étant donné l’aspect « blues-rock » de OneSelf featuring Mario Deschenes, il est également important de prendre en considération les artistes qui ont réussi à mélanger des mélodies accrocheuses avec une influence blues notable et une énergie rock and roll. Eric Clapton, en particulier dans sa carrière solo, a souvent équilibré ses racines blues avec une sensibilité pop, créant de nombreuses chansons à succès qui mettaient en valeur à la fois ses prouesses à la guitare et son écriture mélodique. Stevie Ray Vaughan a revitalisé le blues-rock dans les années 1980 grâce à son jeu de guitare enflammé, mais sa musique possédait également une qualité mélodique qui a élargi son attrait. George Thorogood était connu pour ses hymnes blues-rock directs et accrocheurs, qu’il interprétait avec un esprit rock and roll brut et énergique. Jeff Healey, un guitariste canadien talentueux, a mélangé de façon magistrale le blues-rock et le jeu mélodique, remportant un grand succès à la fin des années 1980 et au début des années 1990. Ces artistes représentent une fusion réussie entre le blues et le rock, avec un accent mis sur la mélodie et l’énergie, reflétant potentiellement un aspect clé du son de OneSelf featuring Mario Deschenes.

 

Des artistes plus contemporains ont également repris ce mélange de rock mélodique et d’influences blues. John Mayer, initialement connu comme auteur-compositeur-interprète pop, a de plus en plus adopté un style blues-rock, mettant en valeur ses impressionnants talents de guitariste tout en continuant à composer des chansons aux accents mélodiques. Les Black Keys ont gagné en popularité grâce à leur son garage rock brut et bluesy, caractérisé par des riffs accrocheurs et une esthétique dépouillée. Gary Clark Jr. mélange le blues, le rock et la soul avec une sensibilité moderne, offrant des voix puissantes et un travail de guitare impressionnant d’une manière qui plaît à un public contemporain. Ces artistes montrent comment le genre blues-rock continue d’évoluer, incorporant souvent des éléments pop et rock plus modernes tout en conservant les fondements du blues et les sensibilités mélodiques.

 

Une exploration des artistes similaires sur les plateformes musicales révèle quelques points intéressants. Les artistes similaires répertoriés pour « Oneself » sur Apple Music sont principalement des artistes hip-hop, notamment MO3, Enchanting et Spoon-G. Cela suggère qu’Apple Music associe probablement le nom « Oneself » à un autre artiste, peut-être l’artiste hip-hop Aron Smith, basé à Milwaukee, ou le trio hip-hop londonien composé de DJ Vadim, Yarah Bravo et Blu Rum 13. Par conséquent, ces suggestions ne sont pas directement pertinentes pour le projet rock de OneSelf featuring Mario Deschenes.

 

Les extraits fournis ne répertorient pas explicitement les artistes similaires à « Mario Deschenes » sur Apple Music , ce qui indique que les recommandations générées par la plateforme pour cet artiste ne sont peut-être pas facilement disponibles dans ces données. Cependant, l’étiquetage de genre des artistes de Last.fm sous « rock mélodique » offre des pistes plus pertinentes. Des artistes tels que Ted Poley, Jimi Jamison et Tommy Shaw sont répertoriés dans ce genre, et l’exploration de ces artistes pourrait fournir des comparaisons pertinentes compte tenu de la description « rock mélodique » de OneSelf featuring Mario Deschenes.

 

En conclusion, OneSelf featuring Mario Deschenes présente un style musical aux multiples facettes qui mélange des éléments de rock, de pop-rock, de psych-pop, de blues-rock et de rock ‘n’ roll, fortement influencé par les sons emblématiques des Beatles et des Rolling Stones.Son origine canadienne suggère également un lien avec la riche histoire de la musique rock au Canada. Parmi les artistes qui font écho à l’écriture mélodique et à la sensibilité pop des Beatles, citons The Kinks, The Who, The Hollies, The Zombies, Badfinger, Big Star, Cheap Trick, The Smithereens, Electric Light Orchestra, The Byrds, The Flaming Lips et les premiers Pink Floyd. Ceux qui reflètent l’énergie blues rock et le son brut des Rolling Stones sont The Animals, The Yardbirds, The Faces, Led Zeppelin, Aerosmith, Humble Pie et Creedence Clearwater Revival. Les artistes canadiens de rock classique qui peuvent présenter des similitudes sont The Guess Who, April Wine, Rush, Bachman-Turner Overdrive, Loverboy, Honeymoon Suite, Red Rider et The Tea Party. Enfin, les artistes qui mélangent le rock mélodique et la pop avec des accents de blues sont Eric Clapton, Stevie Ray Vaughan, George Thorogood, Jeff Healey, John Mayer, The Black Keys et Gary Clark Jr.

 

L’exploration des discographies de ces artistes, en se concentrant particulièrement sur leur travail qui s’aligne sur les aspects de genre spécifiques identifiés, devrait fournir une compréhension plus profonde du paysage musical entourant OneSelf featuring Mario Deschenes. La nature diverse du son de OneSelf signifie que différents auditeurs peuvent trouver des connexions avec différents artistes de cette liste, et l’exploration personnelle est encouragée pour découvrir les correspondances les plus résonnantes.

 

 

 

Influence/Genre Aspect

Similar Artists

Key Characteristics of Similarity

Beatles – Melodic Songwriting & Pop Sensibility

The Kinks, The Hollies, The Zombies, Badfinger, Big Star

Catchy melodies, sophisticated pop structures, innovative songwriting.

Rolling Stones – Blues Rock Energy & Raw Sound

The Animals, The Yardbirds, The Faces, Led Zeppelin, Aerosmith

Raw guitar sound, blues-infused riffs, energetic performances.

Canadian Classic Rock – 1970s Vibe

The Guess Who, April Wine, Bachman-Turner Overdrive, Loverboy, Red Rider

Melodic rock sound popular in Canada during the 70s and 80s, often with strong hooks.

Melodic Rock with Blues Undertones

Eric Clapton, Stevie Ray Vaughan, George Thorogood, Jeff Healey, John Mayer, The Black Keys, Gary Clark Jr.

Blend of melodic rock with a noticeable blues influence in vocals and guitar work, often with a rock and roll energy.

Psychedelic Pop Influences

Electric Light Orchestra, The Byrds, The Flaming Lips, early Pink Floyd, The Tea Party

Sonic experimentation, use of effects, unique textures, and sometimes introspective or surreal lyrical themes.

 

 

 

Ouvrages cités

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2. Production Sound Mixer in Fort Worth – SoundBetter, https://soundbetter.com/s/production-sound-mixer/fort-worth-tx-usa

3. Fire ( Peace and Freedom ) – Engage Art, https://engageart.org/gallery/music-video/all-genres/view/fire-peace-and-freedom/

4. OneSelf Featuring Mario Deschenes, orchestrated an electrifying rock n roll revival with “( Here ‘N’ There ) ‘N Anywhere” – – A&R Factory, https://www.anrfactory.com/oneself-featuring-mario-deschenes-orchestrated-an-electrifying-rock-n-roll-revival-with-here-n-there-n-anywhere/ 5. Newly Released Album, “Seven Eleven” by OneSelf Featuring Mario Deschenes – ArtistPR.com, https://www.artistpr.com/press-release/newly-released-album-seven-eleven-by-oneself-featuring-mario-deschenes/

 6. Atypical So ( A ) Typical – Symposium virtuel d’arts visuels, https://www.symposiumdepeinture.com/mario-deschenes/wp-content/uploads/2021/01/Atypical-So-A-Typical-En.pdf

7. Seven Eleven: Oneself, https://oneselffeaturingmariodeschenes.hearnow.com/seven-eleven 8. Portraits of a Confidence Door 4 – Album by Oneself – Apple Music, https://music.apple.com/ca/album/portraits-of-a-confidence-door-4/1075174293

9. Monde Musical et Artistique de OneSelf / OneSelf’s Musical and Artistic World – Mario Deschênes – Symposium virtuel d’arts visuels, https://www.symposiumdepeinture.com/mario-deschenes/monde-musical-et-artistique-de-oneself-oneselfs-musical-and-artistic-world/

10. Atypical so ( ( A ) Typical – Album by Mario Deschênes – Apple Music, https://music.apple.com/ng/album/atypical-so-a-typical/1543547922

11. In anticipation of OneSelf’s seventh album, we sat down with musician & producer Mario Deschenes to delve into the inspiration that led to his prolific ever-evolving creations. – – A&R Factory, https://www.anrfactory.com/in-anticipation-of-oneselfs-seventh-album-we-sat-down-with-musician-producer-mario-deschenes-to-delve-into-the-inspiration-that-led-to-his-prolific-ever-evolving-creations/

12. OneSelf Featuring Mario Deschenes sur Groover, https://groover.co/fr/band/profile/0.oneself 13. Pop Rock Music Guide: A Brief History of Pop Rock – 2025 – MasterClass, https://www.masterclass.com/articles/pop-rock

14. 1960s pop-rock contemporaries – Time Is On Our Side, http://www.timeisonourside.com/STPopRock.html

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19. The Relationship of The Rolling Stones and The Beatles Over the Years – 103.5 The Arrow, https://1035thearrow.com/2023/02/22/the-rolling-stones-and-the-beatles/

20. The Beatles Vs The Rolling Stones | Beat – Vocal Media, https://vocal.media/beat/the-beatles-vs-the-rolling-stones

21. 26 Artists Discuss The Rolling Stones’ Influence – Paste Magazine, https://www.pastemagazine.com/music/the-rolling-stones/artists-discuss-the-rolling-stones-influence

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52. One Self – Bluebird [Hip hop] : r/Music – Reddit, https://www.reddit.com/r/Music/comments/a8c03e/one_self_bluebird_hip_hop/

53. ‎Mario Deschenes – Apple Music, https://music.apple.com/ca/artist/mario-deschenes/1667769039

54. Mario Deschênes – Apple Music, https://music.apple.com/us/artist/mario-desch%C3%AAnes/402079103

55. ‎Oneself – Apple Music – iTunes, https://itunes.apple.com/vn/artist/oneself/id78556506?l=vi 56. Top melodic rock artists – Last.fm, https://www.last.fm/tag/melodic+rock/artists

 

 

 

 

Artists Similar to

OneSelf Featuring Mario Deschenes

 

OneSelf featuring Mario Deschenes represents a collaborative musical endeavor primarily driven by the creative vision of Mario Deschenes. This report aims to identify artists who exhibit similar musical styles, drawing upon a range of research materials to dissect their sound. The described genres associated with this project are diverse, encompassing rock, pop-rock, psych-pop, blues-rock, and rock ‘n’ roll. Furthermore, Mario Deschenes has explicitly cited The Beatles and The Rolling Stones as significant influences on his music. This analysis will explore these influences and genres to provide a comprehensive list of artists who share stylistic commonalities, also considering Deschenes’ Canadian background.

The multifaceted nature of the described genres suggests that the music of OneSelf featuring Mario Deschenes is likely a blend of various rock and pop subgenres. An artist described as such probably incorporates elements from each of these styles, indicating that finding a single artist who perfectly matches all these labels might be challenging. Instead, the focus should be on artists who resonate with specific combinations of these genres. For example, an artist might primarily create pop-rock with noticeable psych-pop elements, or their sound could be rooted in blues-rock with a distinct rock ‘n’ roll energy.

Mario Deschenes’ admiration for The Beatles points towards a musical approach that likely values well-crafted songs with memorable melodies. While not explicitly stated in the context of OneSelf featuring Mario Deschenes, The Beatles were also known for their innovative use of vocal harmonies , which could be another element to consider when seeking similar artists. The Beatles’ groundbreaking experimentation in recording techniques and production, particularly evident in their later albums , was also a defining aspect of their influence. Although not directly mentioned as a key characteristic of Mario Deschenes’ music, his history of using various recording technologies throughout his career could suggest an interest in the production side of music creation.

Ultimately, The Beatles’ profound impact on pop culture and the very paradigm of songwriting highlights a foundational understanding of rock and pop music history for any artist claiming their influence. This suggests that the music of OneSelf featuring Mario Deschenes likely exhibits a thoughtful approach to song structure and melodic development.

 

Furthermore, Mario Deschenes has explicitly stated his appreciation for The Beatles’ innovative spirit. This indicates that his music might not simply be a replication of The Beatles’ sound but could also strive for originality and a willingness to explore creative avenues within the pop and rock framework. Therefore, when considering artists with a similar vein, it is important to look for those who not only demonstrate a strong melodic sensibility but also exhibit a unique and inventive approach to their music.

The influence of The Rolling Stones suggests a leaning towards a more direct and guitar-driven sound with a noticeable bluesy edge. This provides a contrast to the potentially more pop-oriented aspects derived from The Beatles and hints at a duality within the musical style of OneSelf featuring Mario Deschenes.

 

The Rolling Stones are also associated with a raw and energetic sound , suggesting a less polished and more visceral musical experience. The charismatic frontmanship of Mick Jagger might imply that Mario Deschenes’ music also features a strong and engaging vocal presence. Finally, the emphasis on rhythm and groove is central to The Rolling Stones’ style , indicating that the music of OneSelf featuring Mario Deschenes could also have a solid rhythmic foundation. This blend of influences suggests a musical style that navigates the spectrum between melodic pop sophistication and bluesy rock grit.

The specific genres attributed to OneSelf featuring Mario Deschenes further illuminate their musical identity. Rock and pop-rock serve as the broad foundation, indicating a reliance on traditional rock instrumentation, likely centered around guitars, and conventional song structures prevalent in popular music. The self-description as a « melodic Rock band » refines this further, suggesting a focus on creating rock music with strong, memorable melodies. The inclusion of psych pop points towards potential sonic experimentation, the use of effects, and perhaps lyrical themes that explore more introspective or surreal territories, reminiscent of The Beatles’ mid-to-late career explorations. Blues rock indicates the incorporation of blues scales, structures, and instrumentation, such as blues-inspired guitar solos , within a rock framework, directly aligning with the influence of The Rolling Stones.

 Lastly, rock ‘n’ roll likely refers to a more classic, upbeat, and energetic style of rock music, potentially drawing from the foundational influences of both The Beatles and The Rolling Stones, as well as pioneers like Chuck Berry. This combination of genres and influences paints a picture of a musical style rooted in classic rock but with potential excursions into more psychedelic or bluesy soundscapes.

Considering the significant influence of The Beatles, several artists from the British Invasion era and beyond might offer similar musical experiences. The Kinks, known for their sharp songwriting and British observational humor, often crafted catchy pop tunes with a rock edge, echoing some of The Beatles’ melodic sensibilities. The Who, while often leaning towards a more powerful and sometimes aggressive sound, also demonstrated a knack for melodic songwriting and ventured into experimental territory with concept albums like « Tommy » and « Quadrophenia ». The Hollies were renowned for their distinctive vocal harmonies and consistently delivered well-crafted and catchy pop songs throughout the 1960s. The Zombies, with their sophisticated pop arrangements, intricate harmonies, and later psychedelic touches, particularly in their seminal album « Odessey and Oracle, » also bear resemblance to the more nuanced aspects of The Beatles’ sound. These bands, emerging in the wake of The Beatles’ success, often mirrored their evolution from straightforward pop to more experimental and thematically rich music, sometimes also incorporating the blues influences that were prevalent in the British music scene at the time.

The power pop genre, which emerged later, often explicitly aimed to capture the melodic brilliance of The Beatles’ early work, frequently with a more energetic and guitar-focused approach. Badfinger, the first band outside of The Beatles to be signed to Apple Records, created melodic rock songs with strong hooks and a sometimes melancholic feel. Big Star, often hailed as the « American Beatles, » crafted meticulously arranged pop songs with a blend of catchy melodies and underlying emotional depth. Cheap Trick blended the melodic sensibilities of The Beatles with a more raw and energetic rock edge, creating a distinctive power pop sound. The Smithereens were known for their guitar-driven rock that often featured catchy melodies and harmonies reminiscent of The Beatles. The focus on strong melodies and energetic performances in power pop aligns well with the described « melodic rock » and « rock ‘n’ roll » aspects of OneSelf featuring Mario Deschenes.

Artists who explored psychedelic pop also built upon The Beatles’ later, more experimental soundscapes, often blending them with other genres. Electric Light Orchestra (ELO) was explicitly formed with the intention of continuing the musical direction The Beatles might have taken, incorporating orchestral arrangements into their pop-rock sound. The Byrds were pioneers of folk-rock and psychedelic rock, known for their jangling guitars and melodic songwriting, often compared to The Beatles’ early and middle periods. The Flaming Lips are renowned for their whimsical and highly experimental brand of psychedelic pop, characterized by unique sonic textures and arrangements. Early Pink Floyd, under the leadership of Syd Barrett, created surreal and experimental soundscapes that were highly influential in the development of psychedelic music. These artists, by pushing sonic boundaries and incorporating unconventional elements into their pop structures, resonate with the « psych pop » descriptor associated with OneSelf featuring Mario Deschenes.

Reflecting the influence of The Rolling Stones, several bands from the British Invasion and beyond emphasized a blues-infused brand of rock and roll with a raw and energetic delivery. The Animals, with their gritty sound and bluesy organ riffs, captured a raw energy that was also central to The Rolling Stones’ early appeal. The Yardbirds, who served as a breeding ground for guitar legends, had a strong foundation in blues rock, characterized by improvisation and a raw, untamed sound. The Faces, featuring former members of the Small Faces and Rod Stewart, were known for their loose, bluesy rock ‘n’ roll with a focus on camaraderie and energetic live performances. These bands, contemporaries or near contemporaries of The Rolling Stones, shared a similar passion for American blues and R&B, resulting in a musical approach that prioritized raw energy and a bluesy foundation.

Artists who followed The Rolling Stones often amplified the blues-rock elements, creating a heavier and more guitar-driven sound while sometimes retaining melodic sensibilities. Led Zeppelin, while often categorized as hard rock, had deep roots in the blues, evident in their early albums, and also incorporated melodic elements into their powerful sound. Aerosmith, frequently cited as being heavily influenced by The Rolling Stones, developed a bluesy hard rock sound with a focus on guitar riffs and charismatic stage presence. Humble Pie, featuring the powerful vocals of Steve Marriott, delivered a raw and bluesy brand of rock with a strong emphasis on guitar work. These bands took the blues-rock foundation laid by The Rolling Stones and often pushed it to louder and more intense levels, while still maintaining a connection to melody and rock ‘n’ roll energy.

The live energy and performance style of The Rolling Stones were also highly influential. The Who, in addition to their melodic and experimental sides, were also renowned for their incredibly energetic and often chaotic live performances, driven by Pete Townshend’s guitar acrobatics and Keith Moon’s explosive drumming. Creedence Clearwater Revival, while rooted in a swampy blues-rock sound, also delivered their music with a raw and energetic intensity that resonated with audiences. Artists who prioritize energetic live shows and have a bluesy rock sound share this important characteristic with The Rolling Stones and potentially with OneSelf featuring Mario Deschenes.

Given that Mario Deschenes is a Canadian artist , it is important to consider prominent Canadian rock bands who emerged in the 1970s and beyond, as they represent the musical landscape he likely grew up with and were also influenced by international acts like The Beatles and The Rolling Stones. The Guess Who, one of the first Canadian rock bands to achieve international success, blended rock and pop with occasional bluesy undertones, creating a sound that was both accessible and distinctly Canadian. April Wine was known for their melodic hard rock sound, delivering catchy tunes with a rock edge that resonated both in Canada and internationally. Rush, while evolving into a more progressive rock band, had early albums with a more straightforward rock sound that showed influences from British bands of the era. Bachman-Turner Overdrive (BTO) delivered hard-driving rock anthems with a bluesy undercurrent, achieving significant popularity in the 1970s. These bands represent a significant part of Canadian rock history and likely influenced subsequent generations of musicians, including Mario Deschenes.

Other Canadian artists known for blending melodic elements with rock energy might also be relevant. Loverboy achieved massive success in the 1980s with their catchy and melodic rock anthems, often featuring strong hooks and memorable guitar riffs. Honeymoon Suite was another prominent Canadian band known for their melodic rock sound, sometimes incorporating a harder edge and synth-pop elements. Red Rider, led by Tom Cochrane, crafted well-written pop-rock songs that often had a thoughtful lyrical depth and resonated with a wide audience.

The Tea Party blended rock with blues and even psychedelic influences, creating a unique and often atmospheric sound. The « melodic rock » descriptor for OneSelf featuring Mario Deschenes makes these Canadian bands, known for their focus on melody within a rock context, particularly pertinent.

Given the « blues-rock » aspect of OneSelf featuring Mario Deschenes, it is also important to consider artists who have successfully blended catchy melodies with a noticeable blues influence and a rock and roll energy. Eric Clapton, particularly in his solo career, often balanced his blues roots with a pop sensibility, creating numerous hit songs that showcased both his guitar prowess and melodic songwriting. Stevie Ray Vaughan revitalized blues-rock in the 1980s with his fiery guitar playing, but his music also possessed a melodic quality that broadened his appeal. George Thorogood was known for his straightforward and catchy blues-rock anthems, delivering them with a raw and energetic rock and roll spirit. Jeff Healey, a talented Canadian guitarist, masterfully blended blues-rock with melodic playing, achieving mainstream success in the late 1980s and early 1990s. These artists represent a successful fusion of blues and rock with an emphasis on melody and energy, potentially mirroring a key aspect of OneSelf featuring Mario Deschenes’ sound.

More contemporary artists have also carried forward this blend of melodic rock and blues influences. John Mayer, while initially known as a pop singer-songwriter, has increasingly embraced a blues-rock style, showcasing his impressive guitar skills while still crafting songs with melodic hooks. The Black Keys gained popularity with their raw and bluesy garage rock sound, characterized by catchy riffs and a stripped-down aesthetic. Gary Clark Jr. blends blues, rock, and soul with a modern sensibility, delivering powerful vocals and impressive guitar work in a way that appeals to a contemporary audience. These artists demonstrate how the blues-rock genre continues to evolve, often incorporating more modern pop and rock elements while retaining the core blues foundation and melodic sensibilities.

An exploration of similar artists on music platforms reveals some interesting points. The similar artists listed for « Oneself » on Apple Music are predominantly hip-hop artists, including MO3, Enchanting, and Spoon-G. This suggests that Apple Music is likely associating the name « Oneself » with a different artist, possibly the Milwaukee-based hip-hop artist Aron Smith or the London-based hip-hop trio featuring DJ Vadim, Yarah Bravo, and Blu Rum 13. Therefore, these suggestions are not directly relevant to the rock-oriented project of OneSelf featuring Mario Deschenes.

The provided snippets do not explicitly list similar artists for « Mario Deschenes » on Apple Music , indicating that platform-generated recommendations for him might not be readily available within this data. However, Last.fm’s genre tagging of artists under « melodic rock » offers more pertinent leads. Artists such as Ted Poley, Jimi Jamison, and Tommy Shaw are listed within this genre, and exploring these artists might provide relevant comparisons given the « melodic rock » description of OneSelf featuring Mario Deschenes.

In conclusion, OneSelf featuring Mario Deschenes presents a multifaceted musical style that blends elements of rock, pop-rock, psych-pop, blues-rock, and rock ‘n’ roll, heavily influenced by the iconic sounds of The Beatles and The Rolling Stones. Their Canadian origin also suggests a connection to the rich history of rock music in Canada. Artists who echo the melodic songwriting and pop sensibilities of The Beatles include The Kinks, The Who, The Hollies, The Zombies, Badfinger, Big Star, Cheap Trick, The Smithereens, Electric Light Orchestra, The Byrds, The Flaming Lips, and early Pink Floyd. Those reflecting The Rolling Stones’ blues rock energy and raw sound include The Animals, The Yardbirds, The Faces, Led Zeppelin, Aerosmith, Humble Pie, and Creedence Clearwater Revival. Canadian rock artists with a classic rock vibe who might share similarities are The Guess Who, April Wine, Rush, Bachman-Turner Overdrive, Loverboy, Honeymoon Suite, Red Rider, and The Tea Party. Finally, artists who blend melodic rock and pop with blues undertones include Eric Clapton, Stevie Ray Vaughan, George Thorogood, Jeff Healey, John Mayer, The Black Keys, and Gary Clark Jr.

 Exploring the discographies of these artists, particularly focusing on their work that aligns with the specific genre aspects identified, should provide a deeper understanding of the musical landscape surrounding OneSelf featuring Mario Deschenes. The diverse nature of their sound means that different listeners might find connections with various artists on this list, and personal exploration is encouraged to discover the most resonant matches.

 

 

 

 

 

Influence/Genre Aspect

Similar Artists

Key Characteristics of Similarity

Beatles – Melodic Songwriting & Pop Sensibility

The Kinks, The Hollies, The Zombies, Badfinger, Big Star

Catchy melodies, sophisticated pop structures, innovative songwriting.

Rolling Stones – Blues Rock Energy & Raw Sound

The Animals, The Yardbirds, The Faces, Led Zeppelin, Aerosmith

Raw guitar sound, blues-infused riffs, energetic performances.

Canadian Classic Rock – 1970s Vibe

The Guess Who, April Wine, Bachman-Turner Overdrive, Loverboy, Red Rider

Melodic rock sound popular in Canada during the 70s and 80s, often with strong hooks.

Melodic Rock with Blues Undertones

Eric Clapton, Stevie Ray Vaughan, George Thorogood, Jeff Healey, John Mayer, The Black Keys, Gary Clark Jr.

Blend of melodic rock with a noticeable blues influence in vocals and guitar work, often with a rock and roll energy.

Psychedelic Pop Influences

Electric Light Orchestra, The Byrds, The Flaming Lips, early Pink Floyd, The Tea Party

Sonic experimentation, use of effects, unique textures, and sometimes introspective or surreal lyrical themes.

 

 

 

Ouvrages cités

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     26 Artists Discuss The Rolling Stones’ Influence – Paste Magazine,          

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  33. ‎Oneself – Apple Music – iTunes, https://itunes.apple.com/vn/artist/oneself/id78556506?l=vi 56. Top melodic rock artists – Last.fm, https://www.last.fm/tag/melodic+rock/artists

 

 

 

 

 

 

 

 

 

 

 

Looking for Pop / Rock songs with catchy guitar rhythms and hypnotic echoes, with thoughtful lyrics.

 

This album is for you

 

7th album  Seven Eleven

The latest

 

 

Click on 

https://oneselffeaturingmariodeschenes.hearnow.com/

 

https://palmaresadisq.ca/fr/artiste/oneself/album/seven-eleven/

____________________________________________________________________________________________________________________________________________________________________________________________

 

On Spotify

 

 

 

https://music.apple.com/ca/album/seven-eleven/1667772585

 

https://oneselffeaturingmariodeschenes.hearnow.com/

 

Newly Released Album, “Seven Eleven” by OneSelf Featuring Mario Deschenes – ArtistPR.com

 

https://www.qub.ca/musique/album/seven-eleven-x8wyqyk0lxvna

 

https://www.jango.com/music/OneSelf+Featuring+Mario+Deschenes

 

https://oneself.dizzyjam.com/

 

https://www.youtube.com/user/mroneself62

 

https://palmaresadisq.ca/fr/artiste/oneself/album/seven-eleven/

 

 

From Seven Eleven 

By OneSelf  Featuring  Mario Deschenes

 

Medley